{"id":623264,"date":"2025-09-12T10:56:44","date_gmt":"2025-09-12T14:56:44","guid":{"rendered":"https:\/\/smagazineofficial.com\/?p=623264"},"modified":"2025-09-12T10:57:18","modified_gmt":"2025-09-12T14:57:18","slug":"review-no-other-choice-is-a-spectacular-explosion-of-working-class-anger","status":"publish","type":"post","link":"https:\/\/smagazineofficial.com\/art-culture\/review-no-other-choice-is-a-spectacular-explosion-of-working-class-anger-0912623264","title":{"rendered":"Review:\u00a0&#8216;No Other Choice&#8217;\u00a0is a Spectacular Explosion of Working-Class Anger"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.imdb.com\/name\/nm0661791\/\">Park Chan-wook<\/a>\u2019s <em><a href=\"https:\/\/www.tiff.net\/films\/no-other-choice\">No Other Choice<\/a> <\/em>is the latest addition to Korea\u2019s abundant film tradition of the thriller-cum-class critique. Much like fellow canon member <em><a href=\"https:\/\/www.imdb.com\/title\/tt6751668\/\">Parasite<\/a><\/em>, watching <em><a href=\"https:\/\/www.tiff.net\/films\/no-other-choice\">No Other Choice<\/a><\/em> feels like some kind of oxygen-deprivation experience.<\/p><div class=\"smagt-in-article-repeating\" style=\"margin-left: auto;margin-right: auto;text-align: center;\" id=\"smagt-2818208417\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-8515353905963-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( '\/1057191\/smagtest_300x250', [300,250], 'gpt-ad-8515353905963-0' )\n\t\t.addService(googletag.pubads()).setCollapseEmptyDiv(true);\n\t\t\t\twindow.advadsGamEmptySlotsTimers = window.advadsGamEmptySlotsTimers || {};\n\t\tconst timers                     = window.advadsGamEmptySlotsTimers;\n\n\t\ttimers['gpt-ad-8515353905963-0'] = setTimeout( function () {\n\t\t\tconst id = 'gpt-ad-8515353905963-0';\n\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\tdelete ( timers[id] );\n\t\t}, 1000 );\n\n\t\tif ( typeof window.advadsGamHasEmptySlotListener === 'undefined' ) {\n\t\t\tgoogletag.pubads().addEventListener( 'slotRequested', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] === 'undefined' ) {\n\t\t\t\t\treturn;\n\t\t\t\t}\n\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\ttimers[id] = setTimeout( function () {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}, 2500 );\n\t\t\t} );\n\t\t\tgoogletag.pubads().addEventListener( 'slotResponseReceived', function ( ev ) {\n\t\t\t\tconst id = ev.slot.getSlotElementId();\n\t\t\t\tif ( typeof timers[id] !== 'undefined' ) {\n\t\t\t\t\tclearTimeout( timers[id] );\n\t\t\t\t\tdelete ( timers[id] );\n\t\t\t\t}\n\t\t\t\tif ( ! ev.slot.getResponseInformation() ) {\n\t\t\t\t\tdocument.dispatchEvent( new CustomEvent( 'aagam_empty_slot', {detail: id} ) );\n\t\t\t\t}\n\t\t\t} );\n\t\t\twindow.advadsGamHasEmptySlotListener = true;\n\t\t}\n\n\t\tgoogletag.enableServices();\n\t\tgoogletag.display( 'gpt-ad-8515353905963-0' );\n\t} );\n  <\/script>\n<\/div>\n<\/div>\n\n\n\n<p>The film\u2019s male lead, Man-soo (<a href=\"https:\/\/www.imdb.com\/name\/nm0496932\/\">Lee Byung-hun<\/a>), is on a frenetic quest to regain employment in the paper industry after falling victim to layoffs threshed by the scythe foreign capital. When Man-soo is fired, he is cleaved not only from petty bourgeois society but also from the niceties that entail a comfortable salary.<\/p>\n\n\n\n<p>In a layoff-hungry world where human labour is slowly subsumed by AI, the strictures of the labour market Man-soo finds himself in are all too resonant. Dishearteningly, Man-soo\u2019s solution is not to target the system but rather to target his fellow workers.<\/p>\n\n\n\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-ad2f72ca wp-block-group-is-layout-flex\">\n<p>True, too, that our labour market is structured so as to force the masses to fight tooth and nail for any sliver of opportunity. Unfortunately, <a href=\"https:\/\/www.imdb.com\/name\/nm0661791\/\">Chan-wook<\/a> doesn\u2019t challenge this ideology by redirecting Man-soo\u2019s anger at the vicious system of layoffs demanded by deindustrialization and the movements of foreign capital. Man-soo sees the tumescence of his financial disorder not in the executive class, who are the harbingers of the worker\u2019s doom, but rather in his fellows. What <a href=\"https:\/\/www.imdb.com\/name\/nm0661791\/\">Chan-wook<\/a> does dispel, though, is the comforting myth that less job applicants means more jobs. The condensation of work in our age demands that when an employee dies their job dies with them, and <a href=\"https:\/\/www.imdb.com\/name\/nm0661791\/\">Chan-wook<\/a> displays this beautifully in the final scene of the film, where Man-soo singularly manages the AI in a factory that previously employed many.<\/p>\n<\/div>\n\n\n\n<p>A political outcry about the speculative and cruel economics of our times, <em><a href=\"https:\/\/www.tiff.net\/films\/no-other-choice\">No Other Choice<\/a> <\/em>should be on every 2025 watch list.<\/p>\n\n\n\n<p><em>Feature Image: courtesy of TIFF.<\/em><\/p>\n<div class=\"smagt-article-ad\" id=\"smagt-546165685\"><script async=\"async\" src=\"https:\/\/securepubads.g.doubleclick.net\/tag\/js\/gpt.js\"><\/script>\n<script> var googletag = googletag || {}; googletag.cmd = googletag.cmd || [];<\/script>\n<div id=\"gpt-ad-6205748036220-0\">\n  <script>\n\tgoogletag.cmd.push(function() {\n\t\t\t\tgoogletag.defineSlot( 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critique.<\/p>\n","protected":false},"author":153,"featured_media":623267,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"apple_news_api_created_at":"2025-08-22T16:53:27Z","apple_news_api_id":"7bfadad4-bf79-406d-94b4-c6fb8963f913","apple_news_api_modified_at":"2025-09-12T14:57:21Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAEA==","apple_news_api_share_url":"https:\/\/apple.news\/Ae_ra1L95QG2UtMb7iWP5Ew","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[6],"tags":[5059,5034,5057,5058,5036,5035],"class_list":["post-623264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-culture","tag-filmreview","tag-films","tag-koreanfilm","tag-moviereview","tag-movies","tag-tiff"],"apple_news_notices":[],"yoast_head":"<!-- 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